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Ayub 3:8

Konteks

3:8 Let those who curse the day 1  curse it 2 

those who are prepared to rouse 3  Leviathan. 4 

Ayub 5:1

Konteks

5:1 “Call now! 5  Is there anyone who will answer you? 6 

To which of the holy ones 7  will you turn? 8 

Ayub 37:2

Konteks

37:2 Listen carefully 9  to the thunder of his voice,

to the rumbling 10  that proceeds from his mouth.

Ayub 38:21

Konteks

38:21 You know, for you were born before them; 11 

and the number of your days is great!

Ayub 39:19

Konteks

39:19 “Do you give the horse its strength?

Do you clothe its neck with a mane? 12 

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[3:8]  1 tn Not everyone is satisfied with the reading of the MT. Gordis thought “day” should be “sea,” and “cursers” should be “rousers” (changing ’alef to ’ayin; cf. NRSV). This is an unnecessary change, for there is no textual problem in the line (D. J. A. Clines, Job [WBC], 71). Others have taken the reading “sea” as a personification and accepted the rest of the text, gaining the sense of “those whose magic binds even the sea monster of the deep” (e.g., NEB).

[3:8]  sn Those who curse the day are probably the professional enchanters and magicians who were thought to cast spells on days and overwhelm them with darkness and misfortune. The myths explained eclipses as the dragon throwing its folds around the sun and the moon, thus engulfing or swallowing the day and the night. This interpretation matches the parallelism better than the interpretation that says these are merely professional mourners.

[3:8]  2 tn The verb is probably “execrate, curse,” from קָבַב (qavav). But E. Ullendorff took it from נָקַב (naqav, “pierce”) and gained a reading “Let the light rays of day pierce it (i.e. the night) apt even to rouse Leviathan” (“Job 3:8,” VT 11 [1961]: 350-51).

[3:8]  3 tn The verbal adjective עָתִיד (’atid) means “ready, prepared.” Here it has a substantival use similar to that of participles. It is followed by the Polel infinitive construct עֹרֵר (’orer). The infinitive without the preposition serves as the object of the preceding verbal adjective (GKC 350 §114.m).

[3:8]  4 sn Job employs here the mythological figure Leviathan, the monster of the deep or chaos. Job wishes that such a creation of chaos could be summoned by the mourners to swallow up that day. See E. Ullendorff, “Job 3:8,” VT 11 (1961): 350-51.

[5:1]  5 tn Some commentators transpose this verse with the following paragraph, placing it after v. 7 (see E. Dhorme, Job, 62). But the reasons for this are based on the perceived development of the argument and are not that compelling.

[5:1]  sn The imperative is here a challenge for Job. If he makes his appeal against God, who is there who will listen? The rhetorical questions are intended to indicate that no one will respond, not even the angels. Job would do better to realize that he is guilty and his only hope is in God.

[5:1]  6 tn The participle with the suffix could be given a more immediate translation to accompany the imperative: “Call now! Is anyone listening to you?”

[5:1]  7 tn The LXX has rendered “holy ones” as “holy angels” (cf. TEV, CEV, NLT). The LXX has interpreted the verb in the colon too freely: “if you will see.”

[5:1]  8 sn The point being made is that the angels do not represent the cries of people to God as if mediating for them. But if Job appealed to any of them to take his case against God, there would be no response whatsoever for that.

[37:2]  9 tn The imperative is followed by the infinitive absolute from the same root to express the intensity of the verb.

[37:2]  10 tn The word is the usual word for “to meditate; to murmur; to groan”; here it refers to the low building of the thunder as it rumbles in the sky. The thunder is the voice of God (see Ps 29).

[38:21]  11 tn The imperfect verb after the adverb אָז (’az, “then”) functions as a preterite: “you were born.” The line is sarcastic.

[39:19]  12 tn The second half of the verse contains this hapax legomenon, which is usually connected with the word רַעְמָה (ramah, “thunder”). A. B. Davidson thought it referred to the quivering of the neck rather than the mane. Gray thought the sound and not the movement was the point. But without better evidence, a reading that has “quivering mane” may not be far off the mark. But it may be simplest to translate it “mane” and assume that the idea of “quivering” is part of the meaning.



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