Ratapan 1:1

The Prophet Speaks:

א (Alef) ¹ 

1:1 ² Alas! ³  The city once full of people ⁴ 

now sits all alone! ⁵ 

The prominent ⁶  lady among the nations

has become a widow! ⁷ 

The princess ⁸  who once ruled the provinces ⁹ 

has become ¹⁰  a forced laborer! ¹¹ 

Ratapan 2:15

ס (Samek)

2:15 All who passed by on the road

clapped their hands to mock you. ¹² 

They sneered and shook their heads

at Daughter Jerusalem.

“Ha! Is this the city they called ¹³ 

‘The perfection of beauty, ¹⁴ 

the source of joy of the whole earth!’?” ¹⁵ 

Ratapan 2:18

צ (Tsade)

2:18 Cry out ¹⁶  from your heart ¹⁷  to the Lord, ¹⁸ 

O wall of Daughter Zion! ¹⁹ 

Make your tears flow like a river

all day and all night long! ²⁰ 

Do not rest;

do not let your tears ²¹  stop!

[1:1]  ¹ sn Chapters 1-4 are arranged in alphabetic-acrostic structures; the acrostic pattern does not appear in chapter 5. Each of the 22 verses in chapters 1, 2 and 4 begins with a successive letter of the Hebrew alphabet, while the acrostic appears in triplicate in the 66 verses in chapter 3. The acrostic pattern does not appear in chapter 5, but its influence is felt in that it has 22 verses, the same as the number of letters in the Hebrew alphabet. For further study on Hebrew acrostics, see W. M. Soll, “Babylonian and Biblical Acrostics,” Bib 69 (1988): 305-23; D. N. Freedman, “Acrostic Poems in the Hebrew Bible: Alphabetic and Otherwise,” CBQ 48 (1986): 408-31; B. Johnson, “Form and Message in Lamentations,” ZAW 97 (1985): 58-73; K. C. Hanson, “Alphabetic Acrostics: A Form Critical Study,” Ph.D. diss., Claremont Graduate School, 1984; S. Bergler, “Threni V – Nur ein alphabetisierendes Lied? Versuch einer Deutung,” VT 27 (1977): 304-22; E. M. Schramm, “Poetic Patterning in Biblical Hebrew,” Michigan Oriental Studies in Honor of George S. Cameron, 175-78; D. N. Freedman, “Acrostics and Metrics in Hebrew Poetry,” HTR 65 (1972): 367-92; N. K. Gottwald, “The Acrostic Form,” Studies in the Book of Lamentations, 23-32; P. A. Munch, “Die alphabetische Akrostichie in der judischen Psalmendicthung,” ZDMG 90 (1936): 703-10; M. Löhr, “Alphabetische und alphabetisierende Lieder im AT,” ZAW 25 (1905): 173-98.

[1:1]  ² tc The LXX and Vulgate (dependent on the LXX) include a preface that is lacking in the MT: “And it came to pass after Israel had been taken captive and Jerusalem had been laid waste, Jeremiah sat weeping and lamented this lament over Jerusalem, and said….” Scholars generally view the preface in the LXX and Vulgate as a later addition, though the style is Hebrew rather than Greek.

[1:1]  ³ tn The adverb אֵיכָה (’ekhah) is used as an exclamation of lament or desperation: “How!” (BDB 32 s.v.) or “Alas!” (HALOT 40 s.v. 1.e). It is often the first word in laments (Isa 1:21; Jer 48:17; Lam 1:1; 2:1; 4:1, 2). Like the less emphatic exclamation אֵיךְ (’ekh, “Alas!”) (2 Sam 1:19; Isa 14:4, 12; Ezek 26:17), it is used in contexts of lament and mourning.

[1:1]  sn The term אֵיכָה (’ekhah, “Alas!”) and counterpart אֵיךְ (’ekh, “Alas!”) are normally uttered in contexts of mourning as exclamations of lament over a deceased person (2 Sam 1:19; Isa 14:4, 12). The prophets borrow this term from its normal Sitz im Leben in the funeral lament and rhetorically place it in the context of announcements or descriptions of God’s judgment (Isa 1:21; Jer 48:17; Ezek 26:17; Lam 1:1; 2:1; 4:1, 2). This creates a personification of the city/nation which is either in danger of imminent “death” or already has “died” as a result of the Lord’s judgment.

[1:1]  ⁴ tn Heb “great of people.” The construct רַבָּתִי עָם (rabbati ’am, “great of people”) is an idiom for large population: “full of people, populous” (BDB 912-13 s.v. I רַב; HALOT 1172 s.v. 7.a). The hireq-campaginis ending on רַבָּתִי (rabbati), from the adjective רַב (rav, “great”), is a remnant of the old genitive-construct case (GKC 253 §90.l). By contrast to the first half of the line, it is understood that she was full of people formerly. רַבָּתִי עָם (rabbati ’am) may also be construed as a title.

[1:1]  sn Two thirds of Lamentations is comprised of enjambed lines rather than Hebrew poetry’s more frequent couplets of parallel phrasing. This serves a rhetorical effect not necessarily apparent if translated in the word order of English prose. Together with the alphabetic acrostic form, these pull the reader/hearer along through the various juxtaposed pictures of horror and grief. For further study on the import of these stylistic features to the function of Lamentations see F. W. Dobbs-Allsopp, Lamentations (IBC), 12-20; idem, “The Enjambing Line in Lamentations: A Taxonomy (Part 1),” ZAW 113/2 (2001): 219-39; idem, “The Effects of Enjambment in Lamentations,” ZAW 113/5 (2001): 1-16. However, for the sake of English style and clarity, the translation does not necessarily reflect the Hebrew style and word order.

[1:1]  ⁵ tn The noun בָּדָד (badad, “isolation, alone”) functions as adverbial accusative of state. After verbs of dwelling, it pictures someone sitting apart, which may be linked to dwelling securely, especially of a city or people (Num 23:9; Deut 33:28; Jer 49:31; Ps 4:8 [HT 9]), or to isolation (Lev 13:46; Jer 15:17; 3:28). Applied to personified Jerusalem, it contrasts a possible connotation of dwelling securely, instead stating that Lady Jerusalem is abandoned and connoting that the city is deserted.

[1:1]  ⁶ tn Heb “great.” The adjective רַב (rav, “great”) is used in reference to a position of prominence, leadership (Ps 48:3; Dan 11:3, 5) or strength (Isa 53:12; 63:1; 2 Chr 14:10) (BDB 913 s.v. 2.b; HALOT 1172 s.v. 6). The hireq-campaginis ending on רַבָּתִי (rabbati) from the adjective רַב (rav, “great”) is a remnant of the old genitive-construct case (GKC 253 §90.l). This adjective is the same word mentioned at the beginning of the verse in the phrase “full of people.” These may also be construed as epithets.

[1:1]  ⁷ tn The kaf (כּ) prefixed to אַלְמָנָה (’almanah, “widow”) expresses identity (“has become a widow”) rather than comparison (“has become like a widow”) (see HALOT 453 s.v. 1; BDB 454 s.v. כְּ 1.d). The construction emphasizes the class of widowhood.

[1:1]  ⁸ tn The noun שָׂרָתִי (sarati, “princess”) is in construct with the following noun. The hireq-campaginis ending on שָׂרָתִי (sarati) is a remnant of the old genitive-construct case (GKC 253 §90.l).

[1:1]  sn Judah was organized into administrative districts or provinces under the rule of provincial governors (שָׂרִים, sarim) (1 Kgs 20:14, 17, 19). The feminine term שָׂרָה (sarah, “princess, provincial governess”) is a wordplay alluding to this political background: personified Jerusalem had ruled over the Judean provinces.

[1:1]  ⁹ tn Heb “princess among the provinces.” The noun מְדִינָה (mÿdinah) is an Aramaic loanword which refers to an administrative district or province in the empire (e.g., Ezek 19:8; Dan 8:2) (BDB 193 s.v. 2; HALOT 549 s.v.).

[1:1]  ¹⁰ tn Following the verb הָיָה (hayah, “to be”), the preposition ל (lamed) designates a transition into a new state or condition: “to become” (BDB 512 s.v. לְ 4.a; e.g., Gen 2:7; 1 Sam 9:16; 15:1).

[1:1]  ¹¹ tn The noun מַס (mas) means “forced labor, corveé slave, conscripted worker.” It refers to a subjugated population, subject to forced labor and/or heavy taxes (Gen 49:15; Exod 1:11; Deut 20:11; Josh 16:10; 17:13; Judg 1:28, 30, 33, 35; 1 Kgs 5:28; 9:15, 21; 12:18; 2 Chr 10:18; Isa 31:8; Lam 1:1).

[2:15]  ¹² tn Heb “clap their hands at you.” Clapping hands at someone was an expression of malicious glee, derision and mockery (Num 24:10; Job 27:23; Lam 2:15).

[2:15]  ¹³ tn Heb “of which they said.”

[2:15]  ¹⁴ tn Heb “perfection of beauty.” The noun יֹפִי (yofi, “beauty”) functions as a genitive of respect in relation to the preceding construct noun: Jerusalem was perfect in respect to its physical beauty.

[2:15]  ¹⁵ tn Heb “the joy of all the earth.” This is similar to statements found in Pss 48:2 and 50:2.

[2:18]  ¹⁶ tc The MT reads צָעַק לִבָּם אֵל־אֲדֹנָי (tsa’aq libbam el-’adonay, “their heart cried out to the Lord”) which neither matches the second person address characterizing 2:13-19 nor is in close parallel to the rest of verse 18. Since the perfect צָעַק (tsa’aq, “cry out”) is apparently parallel to imperatives, it could be understood as a precative (“let their heart cry out”), although this understanding still has the problem of being in the third person. The BHS editors and many text critics suggest emending the MT צָעַק (tsa’aq), Qal perfect 3rd person masculine singular, to צָעֲקִי (tsa’aqi), Qal imperative 2nd person masculine singular: “Cry out!” This restores a tighter parallelism with the two 2nd person masculine singular imperatives introducing the following lines: הוֹרִידִי (horidi, “Let [your tears] flow down!”) and אַל־תִּתְּנִי (’al-tittni, “Do not allow!”). In such a case, לִבָּם (libbam) must be taken adverbially. For לִבָּם (libbam, “their heart”) see the following note. The adverbial translation loses a potential parallel to the mention of the heart in the next verse. Emending the noun to “your heart” while viewing the verb as a precative perfect would maintain this connection.

[2:18]  ¹⁷ tn Heb “their heart” or “from the heart.” Many English versions take the ־ם (mem) on לִבָּם (libbam) as the 3rd person masculine plural pronominal suffix: “their heart” (cf. KJV, NASB, NIV, NJPS, CEV). However, others take it as an enclitic or adverbial ending: “from the heart” (cf. RSV, NRSV, TEV, NJPS margin). See T. F. McDaniel, “The Alleged Sumerian Influence upon Lamentations,” VT 18 (1968): 203-4.

[2:18]  ¹⁸ tc The MT reads אֲדֹנָי (’adonay, “the Lord”) here rather than יהוה (YHWH, “the Lord”). See the tc note at 1:14.

[2:18]  ¹⁹ tn The wall is a synecdoche of a part standing for the whole city.

[2:18]  ²⁰ tn Heb “day and night.” The expression “day and night” forms a merism which encompasses everything in between two polar opposites: “from dawn to dusk” or “all day and all night long.”

[2:18]  ²¹ tn Heb “the daughter of your eye.” The term “eye” functions as a metonymy for “tears” that are produced by the eyes. Jeremiah exhorts personified Jerusalem to cry out to the Lord day and night without ceasing in repentance and genuine sorrow for its sins.